Why do we have budget deficits and a national debt?
In this free-wheeling animated film, you’ll see how Congress and public officials use and manage debt, and why it matters to you.
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Why do we have budget deficits and a national debt?
In this free-wheeling animated film, you’ll see how Congress and public officials use and manage debt, and why it matters to you.
Written & Directed by: Marshall Curry |
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MARSHALL CURRY is a two-time Academy Award nominated documentary filmmaker. His film, “Street Fight,” follows Cory Booker’s first run for mayor of Newark, NJ and was nominated for an Oscar and an Emmy. His follow up documentary, “Racing Dreams” tells the story of two boys and a girl who live in rural America and dream of one day racing in NASCAR. It won numerous awards, including Best Documentary Feature at the Tribeca Film Festival, and aired on PBS and the BBC. His third film, “If a Tree Falls, a Story of the Earth Liberation Front” peels back the layers of a radical environmental group that the FBI called the number one domestic terrorist group in the United States. That film won the award for Best Documentary Editing at the Sundance Film Festival and went on to be nominated for an Oscar. Marshall was Executive Producer and an additional editor of “Mistaken For Strangers,” a comedy rock-doc about indie band, The National. Most recently Marshall directed and edited “Point and Shoot,” a documentary about a young Baltimore native who set out on a 30,000 mile motorcycle trip through Northern Africa and the Middle East and wound up joining the rebels in Libya fighting Gaddafi. It won the Grand Jury Prize for Best Documentary at the Tribeca Film Festival and will be released in theaters in November, 2014. Marshall is a graduate of Swarthmore College where he studied Comparative Religion and has been a guest lecturer at Harvard, Duke, Columbia, NYU, and other colleges. He lives in Brooklyn with his wife and children.
“I grew up in a family where we argued about economics a lot. But as the sole documentary filmmaker in a family of MBAs, I knew that most people don’t find conversations about the federal deficit and debt inherently thrilling. We all know it’s important—every year we seem to have some political ‘crisis’ in Washington related to the debt and deficit. But even among economic topics, it’s particularly theoretical and dry. I wanted to make a documentary, but knew that there was only one thing more boring to most people than the words ‘debt and deficit,’ and that was the word ‘documentary.’ (For the record, I love documentaries and know they can be dramatic and amazing, but I’m just being honest here.)
And then my nine-year-old daughter said, ‘Maybe you should do it as a cartoon. Everything’s fun when it’s a cartoon!’ So I spent the next few weeks talking with economists of different political persuasions, asking them what they thought most people don’t understand about the debt and deficit. I did my best to boil down those conversations into a handful of ideas that wouldn’t answer every point or counterpoint about the issue, but would give a viewer a basic framework for thinking it through. And hopefully it would do it in a way that my nine-year-old daughter thinks is funny.”